Sasirekha Parinayam – Krishnavamsi is BACKK!

ORIGINALLY WRITTEN FOR AND PUBLISHED AT PASSIONFORCINEMA.COM

Ok, I am a hard-core fan of Krishnavamsi. Ever since the day he made Ninne Pelladutha in ‘96 (That’s the time when I turned 12 & started understanding films and another of the first amazing film’s I remember released – Prema Desam) I have remained an ardent fan. I started taking a fancy ever since he made this movie about Seenu and Mahalakshmi. Ever since he decided to cast Tabu in saris and make her shout in her coarse voice – SEEENUUU… Dyamm, pure pure bliss. Even today his movies transport me to a dreamland and makes me remember all those times when I dreamt of walking on the streets of villages in Andhra and hoping to see beautiful girl in half sari calling out my name… burp, ok my real name is just not romantic, its will be like Brooke calling Ridge but … KV (alrite, not as great as K.Vishwath) is one director is I can go watch without absolutely caring who the actors or what the story is.

See, Krishnavamsi makes movies for people like me. He makes telugu films which are well, for telugu middle class every day audience. His music and treatment is very down to earth and ordinary which makes it a joy to sit and watch his story telling time after time. His movies have a magic to them. Think Murrari – Hum Aapke Hain Kuon of Telugu but so so different. So real, so absolutely dreamy. The guy speaks like some of his characters. He names them so matter of factly, no brainstorming needed, no angles… just, Radha Krishna, Sai… so easy.

sasirekha

So I saw this banner today of his latest in a desi restaurant and digging a little more on it made me sit up and actually decide to wait for the release and watch the film on the d-day. I just got sold with the name. Sasirekha – another classical name! The title comes from the theme of the eternal great Telugu film – Maya Bazar which deals with the very theme of the title – the marriage of Arjuna’s son Abhimanyu (ANR) to Sasirekha(Savitri – aaah!). Who can forget ANR rowing those paddles to that great Laahiri Laahiri laahiri Lo! So Tarun (hero of the new film) is no ANR and Genelia is no Savitri and this film is no Maya Bazar but somewhere in the posters and the promos and the stills, somewhere there is a hope that maybe, maybe after long long time, here could be a film that will reignite the magic of old days, of days when telugu movies used to be about illogical parallel comedy tracks and innocent love. Before factions and cellphones overtook simple brazen love stories where boy would invade girl’s exclusive celebrations (think Na Mogudu Rampyaare) and when running in paddy fields along coconut trees used to be so real cute (think Seetharamayya gari manavaralu!!!)

The rumors about the movie is that it a remake of Jab We Met and instead of saying there you go… I am, WAY TO GO! I was puzzled watching Jab We Met. Wrong casting, Illogical ending, bad bad actress! But see, the casting here makes total sense. Tarun has only one expression, of a drunk serious dude. Genelia has a natural flair to be a tomboy. The story is how a successful actress tries to find the balance in her life. And you have a film shot in Andhra and you have Krishna Vamsi peppering it with regular fare of dishum dishums and atta pinni jokes. What else do you need to spend 10 bucks and 3hrs?

On a serious note, Krishna Vamsi is one of the few telugu directors apart from Ramu and Trivikram Srinivas who have(had – you idiot ramu) the flair to capture the mood of the target audience when its needed. Going back to Ninne Pelladutha, 12yrs later, the movie is still a benchmark for quality family fare. Modern, hell Mazda Miata’s pop-up lights never looked so good again on the screen, sauve – Tabu in her classical shyness, and delicate – “kannuloni Roopameeee”, K.Vamsi has a knack of telling a story while leaving a feeling of having the audience want to dream about their fantasy’s, not not just for the front bencher’s. Ramu on the other had the craft and technique – Action Shoes and Purani Haveli roads and boom – the chase is on. Trivikram is younger and he has a tact to combine story telling with swift cuts of dexterity. All in all these guys made my world of watching Telugu films in the last 10yrs.

So the songs of Sasirekha Parinayam are out and on the ride to work today, a particular song “Bejawada” caught my fancy. Slick guitar strings with modern/classical tones mixed, the songs going places. The soundtrack is decent but I will leave it to Tushar, our PFC resident music critic to judge the virtues but all in all a great package.

Yes, I am selling it for Krishnavamsi but I will never forget his method of handling the concept of GOD appearing before a devote in Sri Anjeneyam. For a writer, its extremely tough to dissect that thinking onto a screen and Vamsi was just a genius for those few shots. So you never know, maybe he found some talent in Tarun. Maybe he finally channeled Genelia’s exuberance into a powerful performance. But this one for sure raises my hope for a fun watch!

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